The workshop starts with a review of your images. Each participant is encouraged to bring up to 15 images (prints preferred). The review will touch on quality of the print, consistency of the post processing, and overall look and feel of the image.
You will learn how to integrate (or refine) new tools into your Black and White workflow conversion. It starts with the conversion of RAW files (comparing Adobe ACR, Lightroom, CaptureOne, OnOne Software, etc.) to get the most out of your capture file. Then we tackle the Black and White conversion, testing various software (Nik Silver Efex, CaptureOne B&W style, Adobe B&W, OnOne B&W presets, etc.). After experimentation, we will set up a repeatable workflow, integrating the conversions with your catalog!
The next step, is what I call “The reference print”. You will learn print techniques based on inks (Epson Ultrachrome, Piezography inks) and software (RIP, Epson Printer drivers). It gives you the feel of how the inks and the type of papers can interpret your prints. Based on the “reference print”, we will enhance the file.
To enhance your B&W files, we will use techniques, such as but not limited to dodging & burning, contrast control, tonal control, luminosity masks, and more.
You will have time to work on your files to integrate new techniques into your post processing, test printing with various papers and inks, and receive assistance to fine tune the entire workflow and the aesthetic of your prints.
As a final step, you will create your “own” recipes (presets) to produce consistent B&W prints.
The workshop is taught at my studio in Los Gatos, California, where you will have access to three Epson 9900 printers (two converted to piezography inks, one Epson Ultrachrome ink). During the workshop, we will discuss conversion of a printer to piezography, various printers for B&W, and the choice of papers.
What you'll learn:
• Print reviews (focus is “what else can you do)
• Setting up your print environment (calibration, presets)
• Troubleshooting your printing process (dark, “muddy”)
• Post processing workflow (creating a repeatable process)
• Paper selection (type, feel, profile)
• Outsourcing printing (preparing your file)
• How to immerse yourself in printing (not to be missed!)
• Leave the workshop with a vastly expanded set of possibilities for making Black and White images & prints
Truly exciting workshop!!!
Don't delay your registration, as there is only one session scheduled this year.
Oliver Klink owns three large 44” Epson printers, two dedicated to black and white, the other to color. He has mastered making large size images that are impactful. His Black and White Project “Cultures In Transition” has received many awards and is being exhibited worldwide. “Watching an image comes alive thru the print is an incredible feeling. The more you do it, the more you become creative to turn a documentary image into fine art.”
• Print reviews (focus is “what else can I do)
• Creating a repeatable workflow (from RAW conversion to printing)
• Troubleshooting your printing process (dark, “muddy”)
• Paper selection (type, feel, profile)
• Outsourcing printing (preparing your file)
• Creating your own recipes (presets)
• What does it take to set up a B&W printing environment, cost involved
Included:
- 5 days of instruction and hands on excercises
- Portfolio review
- Instruction booklet emailed before the workshop
Not Included:
- Transportation to the workshop location (carpooling encouraged)
- Meals, accommodation
- Recommended bringing up to 15 prints to the workshop for reviews.
- A good post processing foundation is recommended.
- Write down your questions/tribulations with your Black and White printing & post processing
- Box to bring back prints you made during the workshop (apprx size 17 x 22”)
- Not much else … Have a great time!
Black and White Printing
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